All Hans von Aachen Oil Paintings

was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.
 

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Hans von Aachen rape of Proserpine oil painting


rape of Proserpine
ID de tableau::  70658
rape of Proserpine
Date 1587(1587) Medium Oil on canvas Dimensions Expression error: Missing operand for *109 ?? 150 cm
   
   
     

Hans von Aachen Scherzendes Paar mit einem Spiegel oil painting


Scherzendes Paar mit einem Spiegel
ID de tableau::  70694
Scherzendes Paar mit einem Spiegel
Dimensions Deutsch: 25 x 20 cm RahmenmaBe: 36 x 30 x 4 cm
Dimensions Deutsch: 25 x 20 cm RahmenmaBe: 36 x 30 x 4 cm
   
   
     

Hans von Aachen Le jugement de Paris. oil painting


Le jugement de Paris.
ID de tableau::  71399
Le jugement de Paris.
1588(1588) Oil on canvas 87.5 x 133 cm (34.45 x 52.36 in)
   
   
     

Hans von Aachen Bacchus, Ceres and Amor. oil painting


Bacchus, Ceres and Amor.
ID de tableau::  71694
Bacchus, Ceres and Amor.
ca. 1600(1600) Oil on canvas 163 x 113 cm (64.17 x 44.49 in)
   
   
     

Hans von Aachen The Amazement of the Gods oil painting


The Amazement of the Gods
ID de tableau::  71721
The Amazement of the Gods
1590s Medium Oil on copper Dimensions 35.5 x 45.8 cm (13.98 x 18.03 in)
   
   
     

       PRECEDENTE  3  4  5  6  7  9  10   PROCHAINE
Artiste précédent       Artiste prochain     

     Hans von Aachen
     was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.

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